During the Cold War, freedom of expression was vaunted as liberal democracy's most cherished possession―but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the...(展开全部)

The "rivetingly told" (Times Literary Supplement) story of the CIA's Cold War cultural operations, short-listed for the Guardian First Book Award. In The Cultural Cold War, Frances Stonor Saunders presents for the first time the shocking evidence that the CIA infiltrated every niche of the cultural sphere during the postwar years. In a "hammer-blow of a book" (The Spectator, Lo...(展开全部)

During the Cold War, freedom of expression was vaunted as liberal democracy's most cherished possession―but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the...(展开全部)

During the Cold War, freedom of expression was vaunted as liberal democracy's most cherished possession―but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the...(展开全部)

During the Cold War, freedom of expression was vaunted as liberal democracy's most cherished possession―but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the...(展开全部)

The "rivetingly told" (Times Literary Supplement) story of the CIA's Cold War cultural operations, short-listed for the Guardian First Book Award. In The Cultural Cold War, Frances Stonor Saunders presents for the first time the shocking evidence that the CIA infiltrated every niche of the cultural sphere during the postwar years. In a "hammer-blow of a book" (The Spectator, Lo...(展开全部)

During the early Cold War, the Central Intelligence Agency created dozens of funding fronts to support work that aligned with CIA goals, from clandestine operations and research to liberal anticommunist programs. While investigative journalists and congressional inquiries exposed many of these fronts, little is known about their daily internal workings. With a specific focus on...(展开全部)

Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American cult...(展开全部)

Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American cul...(展开全部)

A landmark history of the Western World we wanted and of the one we made ‘This is a book about what people thought and said and did because of the fact that, for more than forty years, the United States was at war with the Soviet Union. The book is a narrative, not an argument, but it has a premise, which is that the Cold War is the key to understanding the social and cultural ...(展开全部)